「长篇译文」回顾经典:Headfonics测评世界首款分立R2R播放器——P6开箱&概述篇

乐彼客服1

译者按：
原文发布于2020年。作为市面第一款采用全分立R-2R架构的便携DAP，P6对于乐彼有着特殊的意义。最近仍收到不少烧友咨询，实际上P6已停产好一段时间。这次把这篇旧文拿出来翻译，也是为了让无法聆听到P6的玩家从另一个角度进行「深度体验」，从文中体会到全分立R2R在工程实现以及声音表现上的独特魅力。希望各位可以耐心读完，谢谢！

原文链接：https://headfonics.com/luxury-precision-p6-review/

原作者：Marcus
由于译者水平有限，文中错漏之处请多多包涵。

---

LUXURY & PRECISION P6 REVIEW
乐彼P6测评

The Luxury & Precision P6 is a high-end digital media player featuring a fully discreet R2R DAC implementation with Bluetooth connectivity. It is priced at $2999.

Disclaimer: The Luxury & Precision P6 was sent to us as a sample in exchange for our honest opinion in this review. We thank Luxury & Precision and Musicteck for this opportunity.

To learn more about Luxury & Precision reviews on Headfonics you can click here.

Note, this review follows our new scoring guidelines for 2020 which you can read up on here.

乐彼P6是一款hi-end级别的数字音频播放器，它配备了一个完整的R2R DAC架构，同时还具有蓝牙连接功能。其售价为2999美金。

免责声明：乐彼P6作为样机寄给我们，以换取我们在本次测评中的真实意见。我们感谢乐彼和Musicteck提供这次机会。

要了解更多关于乐彼在Headfonics的评价，您可以点击这里。

请注意，本次测评遵循我们2020年的新评分准则，您可以在这里阅读。



乐彼P6 DAP是一款真正具有世界级音质的音频播放器。单就声音而言，它是华美的、音色丰富、细节精美，且有一个令人印象深刻的漆黑背景，适合高灵敏度耳机。它在音符质感方面创造了奇迹，产生了自然的声音，从而让它很容易搭配耳机，听起来无疲劳感。它可能是我在2020年听到的音质最好的DAP。

读者评分：9

For some audiophiles, a ladder DAC type solution, or R2R as it is popularly known, is the holy grail of DACs. The natural almost analog sound does funny things akin to vinyl lovers changing out their cart and tonearm.

Unit recently, portable audio crowds would have to go desktop to get their R2R fix with the likes of Schiit’s Yggdrasil or for those in the know, Holo Audio’s Spring DAC. Not the most expensive in the desktop world but certainly not portable either.

Hifiman kicked it all off last years by introducing the R2R2000, a portable PCM1704k-infused R2R streaming device which most used as a DAP anyhow. They then doubled down just a few weeks ago with their even better sounding portable DAC/Amp, the HM1000, another PCM1704k portable creation with up to 4 of them in one cassette type form factor.

Now, Luxury & Precision have upped the ante with their fully discreet R2R P6 DAP. Unlike Hifiman, this one is definitely being pitched as a pure DAP.

对一些烧友来说，梯形DAC类型的解决方案，或俗称的R2R，是DAC的圣杯。自然的近乎模拟的声音做了一些有趣的事情，类似于黑胶爱好者改变他们的唱头和唱臂。

最近，便携式音频玩家不得不去台式机上满足他们的R2R情节，比如Schiit的Yggdrasil，或者对于那些了解的人来说，还有Holo Audio的DAC——「泉」可选。在桌面HiFi世界中，它们不是最昂贵的，但肯定也不是可随身的。

Hifiman去年推出了R2R2000，这是一款便携式内置PCM1704k R2R解码的流媒体设备，大多数人将其作为DAP使用，从而开启了高端R2R DAP的一切。然后，就在几周前，他们又推出了声音更好的便携解码耳放一体机，HM1000，另一款PCM1704k解码的便携式作品，在一个磁带式的外形中，最多放了4片1704。

如今，乐彼用他们全分立式架构的R2R P6 DAP提高了水平。与Hifiman不同的是，这款产品绝对是作为一款纯粹的DAP来售卖的。



TECH INSIDE

RESISTOR-BASED DACS

The P6 does not use a delta-sigma or a multibit DAC chipset, instead, it uses a class R2R design in a fully discreet digital implementation.

The ‘regular’ DAP you tend to use and abuse is likely to be using a delta-sigma or multibit DAC with callsigns such as Sabre or AKM. Both options deliver excellent but different listening experiences but from an engineering angle, going 100% discreet means you are 100% in control of the implementation.

Delta-Sigma is traditionally an all-in-one solution, a jack-in-the-box design to take a lot of the legwork from a company’s R’n’D budgets and reduce costs.

Parameters for delta-sigma adjustment are usually limited until you get to the analog side where opamps, rollable or otherwise, can take up the slack and introduce whatever flavor you like to the sound. Some, like Burson Audio, go a little further by diverting some delta-sigma duties such as I/V to discreet opamps which is more of a hybrid solution.

DISCREET ENGINEERING

LP goes the whole hog with a fully discreet design for the P6 just like a full desktop traditional R2R DAC. This means a ton of tiny resistors all individually mapped out with specific engineering requested processing parameters to convert the digital signal to analog in the exact way they want it to be done.

It is more time consuming than delta-sigma but the offshoot is generally always a more natural sound that is free of artifacts or ringing, especially in the higher frequencies.

The drawback is that the high number of resistors required to deliver that means a physical challenge in PCB engineering. Simply put, it’s a lot harder to fit 100’s of them into a typical DAP-sized housing compared to a single delta-sigma chipset. Not just any 100, but 100 with precisely matching parameters so that each one does not become the entire P6 DAC’s weakest link.

DECODING

Now, R2R designs have been knocking around for years with many fans addicted to what they perceive as a tremendously addictive natural sound signature.

However, the P6 does have some limitations when it comes to decoding offering a max 32BIT/384kHz PCM and DSD256 whereas modern delta-sigma DAPs reach up to 786kHz sampling and DSD512. It will also handle SACD ISOs which is important for some, including me.

How much value you put into DSD512 capability is entirely up to you. The vast majority of commercially available material is 24BIT/192kHz PCM and DSD64/128 maximum so while future-proofing is more limited, the here and now is 100% relevant.

技术内幕

基于电阻的DAC

P6没有使用delta-sigma或多比特DAC芯片组，相反，它用了一个经典的R2R设计，数字部分完全靠全分立电阻实现。

你倾向于使用以及市面泛滥 "常规"DAP很可能使用delta-sigma或多比特DAC架构，代表型号有ESS的Sabre系列或AKM家的芯片。这两种选择都能提供出色而不同的听觉体验，但从工程角度来看，100%的全分立设计意味着你可以100%地控制实施。

Delta-Sigma在传统上是一个多合一的解决方案，是一个开箱即用的设计，帮助你从公司的研发预算中抽离出大量的工作并降低成本。

Δ-Σ可调整的参数通常是有限的，直到你来到模拟电路部分，运放、滤波或其他的，才可以收拾残局，引入任何你喜欢的调音味道。有些品牌比如Burson Audio，技术上会走得更远，将一些delta-sigma的职责，如I/V转换放入独立的运放中处理，这更像是一个混合解决方案。

全分立架构的工程实现

乐彼为P6采用了全分立设计，就像一部完整的台式传统R2R DAC。这意味着一大堆的小电阻都是单独映射出特定的工程要求的处理参数，以他们希望的精确方式将数字信号转换成模拟信号。

它比delta-sigma更耗时，但其结果通常会呈现出一个更自然的声音，没有失真或振铃现象，特别是在高频部分。

其缺点是需要大量的电阻来实现，这意味着对PCB工程的物理挑战。简单地说，与单一的delta-sigma芯片组相比，要在典型的DAP大小的外壳中安装100个电阻要难得多。不是任何100个，而是100个具有精确匹配参数的芯片，这样每个芯片才不会成为整个P6 DAC的最薄弱环节。

解码

如今，R2R设计早已激荡多年，许多粉丝沉迷于他们所认为的极其令人上瘾的自然的音色特性。

然而，P6确实有一些局限，当它涉及到解码能力时，可提供最大32BIT/384kHz PCM和DSD256硬解，而现代delta-sigma架构的DAP则能达到786kHz采样和DSD512硬解。它还可以处理SACD ISO，这对一些人来说是很重要的，包括我。

你对DSD512解码能力的重视程度完全取决于自己。绝大多数商业化音源的最高码率都是24BIT/192kHz的PCM和DSD64/128，所以，虽然在面向未来的解码需求上，P6显得较为局限，但此时此刻P6的解码能力是可以100%覆盖的。




VOLUME CONTROL

You might hear companies refer to volume in the analog domain as being preferable to the digital domain. Purely digital volume control can have trouble with dynamic range and noise at lower volume levels.

Often this is countered by stepped or carbon film attenuation control designed to suppress the noise floor. However, oxidization can occur leading to a gradual increase in noise overtime on carbon films, (my no 1 pet peeve with amps), and stepped attenuators make little sense on sensitive gear where precision alps style movement is required.  

One popular solution is to move the volume to an independent volume control chip in the analog domain, typically a PGA 2311 used by the like of Cayin. LP contends this still leaves a bit of noise in the signal path and can reduce SNR as a result.

LP’s solution with the P6 is an electronic relay array which is normally not recommended in desktop solutions given they tend to produce high voltage swings.

This is less of a worry for a DAP that sits under a 10V swing so they do not need to revert to a huge mechanical relay construction for the P6. The end result is less noise and better dynamic range through a much lower signal attenuation.

音量控制

你可能会听到一些公司说模拟音量控制比数字的要好。纯粹的数字音量控制在较低音量下会有动态范围不足和噪音的问题。

通常情况下，这是由步进式或碳膜衰减控制来抑制本底噪声的。然而，氧化会导致碳膜上的噪音逐渐增加，（我对放大器最讨厌的地方），而且步进式电位器对需要阿尔卑斯式精准调节的高灵敏度耳机来说意义不大。

一个主流的解决方案是将音量转移到模拟部分的独立音量控制芯片上，通常是凯音公司使用的PGA 2311。乐彼认为这仍然会在信号路径中留下一些噪声，并会因此而降低信噪比。

乐彼对P6的解决方案是采用一个电子继电器阵列，这通常不建议在桌面解决方案中使用，因为它们容易产生高电压波动。

这个问题对于一个电压波动在10V以下的DAP来说就不那么令人担心了，所以他们不需要为P6再把电位器恢复到一个巨大的机械继电器结构。最终的结果是，通过更低的信号衰减来减少噪音并提高了动态范围。



AMPLIFICATION

Although not the gut-wrenching levels of the HiBy R8’s 1W of output power, the P6 is a very respectable performer with a balanced output rating of 700mW into a 32Ω load. That should cover most headphones, even high-end planars with moderate sensitivity levels such as the Final D8000 Pro and Audeze’s LCD-1.

Unbalanced is 180mW into 32Ω which I am actually quite happy about. It is not the highest I have seen with some competing DAPs offering up to 500mW into the same load such as the Lotoo PAW Gold Touch. However, this is still quite a sensible range for sensitive monitors that could kick up a fuss with higher noise floors.

There is lineout also though both the 4.4mm LO and 3.5mm LO are single-ended in design but with a switchable voltage at 1.55V and 2.45V. My suggestion is to go with 2.45V with decent desktop amps. It will sound punchier and you will not find yourself having to push up the volume as much.

Both outputs are well under 0.5Ω, (0.2 for 3.5mm and 0.4mm for 4.4mm) so the risk of impedance skew is virtually nil on the P6.

PERFORMANCE NUMBERS

Speaking of noise, the P6 numbers are excellent with an SNR of around 123dB or higher balanced and unbalanced.

That is the same performance level as the Lotto PAW Gold Touch unbalanced and around 4dB less going balanced. The P6 certainly performs better than the Hifiman R2R200 Black version for SNR which is rated at 115dB.

The P6 also offers 4-5dB more dynamic range than the R8 but like the Hifiman R2R2000, the THD+N numbers are just so so at 0.003% @32ohm load compared to 0.006%. Compare that to Lotoo at 0.00015% for balanced and it is not a fair contest.

That should not be too surprising given that delta-sigma chips post-modulation tend to always look better on single sine wave testing setups.

输出功率

虽然没有HiBy R8的1W输出功率那样令人震惊的水平，但P6有一个非常值得尊敬的性能，其平衡输出额定值为700mW@32Ω负载。这应该能对付大多数耳机，甚至是具有中等灵敏度的高端平板耳机，如Final D8000 Pro和Audeze的LCD-1。

单端是180mW@32Ω负载，实际上这让我很高兴。这并不是我所见过的最高的推力，一些竞争性强的DAP提供了高达500mW的同负载功率，如乐图墨菊。然而，对于那些在高噪音级可能让你大发牢骚的高灵敏度监听入耳来说，这仍然是一个相当合理的功率范围。

虽然4.4mm LO和3.5mm LO都是单端设计，但有1.55V和2.45V的可切换电压，也有线路输出。我的建议是使用2.45V的电压，并使用合适的桌面放大器。它听起来会更有冲击力，而且你不会发现自己不得不把音量推得那么高。

两个耳机口输出内阻都远低于0.5Ω，（3.5mm为0.2Ω，4.4mm为0.4Ω），所以P6的阻抗偏移风险几乎为零。

性能数据

说到噪声抑制，P6的指标非常好，平衡和单端的信噪比约为123dB或更高。

这与乐图墨菊单端的性能水准相同，平衡的性能要低4dB左右。当然，P6比Hifiman R2R200黑色版的信噪比要好，后者的额定值为115dB。

P6还提供了比R8高4-5dB的动态范围，而像Hifiman R2R2000，THD+N的指标只是0.006％，相比之下P6能达到0.003％@32Ω负载。与Lotoo平衡口的0.00015%相比，这并非一场公平的竞争。

鉴于delta-sigma芯片的后调制特性，它往往在单一正弦波测试上看起来更好，这不该太令人惊讶。



DESIGN

Of course, beauty is in the eye of the beholder but I happen to think the P6 housing design is minimalistic gorgeous. There is nothing overly busy or fussy in its presentation just some beautiful machining.

There is a matching front and back black glass panel aesthetic, plenty of complimentary straight lines, and a very sturdy and attractive extended protection guard on the right panel. The potentiometer has a nice grippy texture with a tiny but assuring click action during rotation.

The jack ports have a sold gold-plated ring finish to the top just slightly above the main panel whereas slots on the base are completely flush. Physical buttons on each panel are small but with zero slack or looseness. They are also very quiet in their mechanical action and responsive.

设计

当然，美是看在眼里的，我恰好认为P6的外壳设计相当简约而华丽。在其表现风格上没有什么花哨繁复之处，只有一些美好的加工处理。

有一个与机身匹配的前后黑色玻璃面板的美学设计，大量值得点赞的直线条处理，以及右侧面板上非常坚固且有吸引力的扩展保护罩。电位器有一个很好的抓握感，在旋拧时有一个微小但令人放心的点触感。

插口顶部有一个镀金环，略高于主面板，而底部的卡槽则与机身完全齐平。每个面板上的物理按钮都很小，但无任何松动或松垮感。它们的机械触感也非常安静、反馈灵敏。



The form factor is just the perfect DAP size for single-hand use albeit a bit on the thick side but understandable given it has to safely house a ton of resistors.

At 248g it is not the lightest DAP out there with the R2R2000 coming in at just 142g. However, compared to alternative flagship DAPs such as the Lotoo PAW Gold Touch at 275g and Sony’s 1Z flagship well over 400g the P6 is competitive.

Much of the weight can be accounted for with the P6 using an aircraft-grade of aluminum for its housing. That is a sturdy material though be aware that the finishing is more straight-edged rather than cornered. My advice is to stick it in the leather case that comes with it for a very smooth handling experience.

这个外形尺寸正好是单手使用的完美DAP尺寸，尽管有点偏厚，但考虑到它必须安全地容纳大量的电阻，这是可以理解的。

它的重量为248克，并不是最轻的DAP，R2R2000的重量仅为142克。然而，与其他旗舰DAP相比，如Lotoo墨菊的275克和索尼旗舰SMP-Z1的400克以上，P6还是具有高竞争力的。

P6的大部分重量可以解释为其外壳使用了航空级别的铝。这是一种坚固的材料，但要注意其表面处理更多的是直角而不是拐角。我的建议是把它放在随附的皮套里，以获得非常流畅的操作体验。



SCREEN

This is probably the weak point in the P6’s design. Not so much the screen quality which is reasonable if not TOTL. The P6 uses a 3.5-inch IPS screen with a 480 x 320 resolution. It has a decent level of legibility at relatively strong angles though the ppi is not as dense as something like the iBasso DX220’s 5″ IPS 1080p display.

It is not a borderless screen either with a fair degree of free front panel real estate below it. I suspect this is to reduce potential EMI and heat from the screen upsetting the delicate circuitry performance.

However, the main problem is the fact the P6 does not use a touchscreen. Yup, this is a classic physical control DAP with the potentiometer doubling up as a navigational tool. That may well be a deal-breaker for some in 2020 and it does take some getting used to after a rich diet of touch controls on competing DAPs.

屏幕

这可能是P6设计中的一个弱点。它的屏幕素质没那么高，虽然它不是顶级旗舰，没用高素质屏也是合情合理的。P6使用了一块3.5英寸IPS屏幕，分辨率为480 x 320。在相对较大的角度下，它有一个体面的可读性水平，尽管ppi没有像iBasso DX220的5英寸IPS 1080p显示屏那样高。

它也不是一个全面屏，在它下方有相当程度的一块前面板空余。我怀疑这是为了减少潜在的电磁干扰以及来自屏幕的可能扰乱脆弱电路性能的热量。

然而，主要问题是P6没有使用触摸屏。是的，这是一个典型的物理按键控制的DAP，电位器兼做导航工具。在2020年，这很可能会成为一些人的障碍，而且在经历了竞争对手DAP上丰富的触摸控制之后，这确实需要一些时间来适应。



CONTROLS

Because the P6 is not a touchscreen, those buttons on the left and right panel, as well as the potentiometer takes on some added importance. The P6 offers two distinct control arrays. On the left panel, you have your traditional 3 button playback button suite and on the right, just below the potentiometer, you have two command control buttons.

The two arrays do not overlap in functionality but the potentiometer or dial does with the OS making use of its rotational for scrolling capability. The command function buttons cover basic forward and return menu navigation as well as accept or activate any desired feature in the OS.

They do seem physically close to each other but are easily identifiable once you have the leather case on as the opening in the case is quite close to the bottom button. That allows you to slide your hand up and identify the return key quickly in your pocket or any scenario without ‘line of sight’.

There is an additional power/LCD screen on/off button on the top panel which is pretty much standard on most DAPs. Volume control is beautiful on the dial, very accurate and precise also.

操控

因为P6不是一个触屏机，所以左右面板上的那些按钮以及电位器就显得更加重要。P6提供了两个不同的控制阵列。在左边的面板上，有3个传统的播放按键套件，在右边的电位器下面，有两个命令控制按键。

这两个阵列的功能并不重叠，但电位器或者说滚轮是通过旋转它这一滚动功能来应用于操作系统。命令功能按键包括基本的前进和返回菜单导航，以及接受或激活操作系统中的任何所需功能。

滚轮和按键在物理位置上似乎靠得很近，但一旦你戴上皮套，就很容易识别，因为皮套的开口离底部按键很近。这使你可以在口袋里或任何没有 "视线 "的情况下，将手向上滑动并快速识别返回键。

在顶部面板上还有一个额外的电源键/亮屏/熄屏键，这是大多数DAP的标准设计。音量控制在表盘上非常漂亮，也非常准确、精准。



I/O

All digital I/O are housed at the base of the P6 with analog PO and LO at the top panel. At the base, you have a single open microSD slot and a USB-C port which duals for USB-DAC (no OTG), file transfer, as well as charging duties.

输入/输出接口

所有的数字接口都在P6的底部，模拟PO和LO口在顶部面板。在机身底部，有一个开放的microSD卡槽和一个USB-C端口，可用于USB-DAC（无OTG）、文件传输以及充电任务。



At the top panel, you have two jack ports, 3.5mm unbalanced and 4.4mm balanced. Both dual for lineout though they are not dedicated as in both are single-ended lineout in terms of capability.

You can switch from PO to LO via the OS as well as adjust the level of voltage supplied to the LO, in this case, 1.55V and 2.45V.  The 3.5mm output also triples up with SPDIF output capability.

BATTERY LIFE

The P6 uses a fairly hefty 4000mA/H Lithium battery which is rated at a very respectable 15 hours life cycle from full to empty. My actual testing without using Bluetooth got me reasonably close to that, around 14 hours in total using 16BIT/44.1K standard FLAC files.

It does drop a bit with Bluetooth on using LDAC codes and if you plan on using DSD 24/7 with the screen on full brightness it might drop a bit below 14 hours also.

However, this is one of the benefits of a device with no WiFi, apps, or touch capability. The environmental factors are much more tightly controllable with a reliable day to day battery performance compared to Android touch-based and apps compatible DAPs.

STORAGE

The P6 has a mix of onboard and external memory storage with 64GB internal memory, (62GB useable), and a MicroSD slot with up to 512GB officially supported and recently expanded to 1TB after the latest firmware update, (V1.0.0.6).

I do not use microSD cards bigger than 64Gb in size because they have a nasty habit of dying after a year or two so I not the right person to verify that 1TB card functionality. However, I do know that up until recently it did have a file limit of up to 10k and then expanded to 12k tracks so that is a potential downside to using large cards.

One other final thing to mention is that cards over 32GB in size must be formatted to FAT32 for them to be read by the P6. All my Ultra SanDisk SDXC cards did not work with the P6 until reformatted to FAT32.

P6顶部面板，有两个插孔，3.5mm单端和4.4mm平衡。两个口都是复合口，带lo输出功能，尽管它们不是专用的lo，就带载能力而言，都是单端lo。

你可以通过操作系统从PO切换到LO，也可以调整提供给LO的电压，在这种情况下，分1.55V和2.45V两档。3.5mm口还集成了第三种输出功能——SPDIF同轴口。

电池寿命

P6使用了一个相当大的4000mA/H的锂电池，从满到空有15个小时的使用寿命，这是非常可敬的。在不使用蓝牙的情况下，我的实际测试结果与此相当接近，在使用16BIT/44.1K的标准FLAC文件时，总共约14小时续航。

在使用蓝牙的情况下，采用LDAC编码时，续航确实下降了一点，如果你打算在屏幕常亮的情况下全天候用它听DSD，也可能下降到14小时以下。

然而，这是一个没有WiFi、APP或触屏功能的设备的好处。与基于安卓触屏和应用兼容的DAP相比，P6受环境因素的控制要严格得多，每天的电池性能都很可靠。

存储空间

P6有一个混合的存储器设置，板载和外置存储，其中板载64GB存储（62GB可用）以及一个MicroSD卡槽，官方最大支持512GB扩展，最近在最新的固件更新（V1.0.0.6）后扩展到了1TB的支持。

我不使用超过64Gb的microSD卡，因为它们有一个让人讨厌的毛病，在一两年后就会失效，所以我不是验证1TB卡兼容性的合适人选。然而，我知道，之前它的文件限制一直是10K，之后扩展到12K，所以这是使用大容量存储卡的一个潜在缺点。

最后要提到的另一件事是，容量超过32GB的卡必须格式化为FAT32才能被P6读取。我所有的Ultra SanDisk SDXC卡在重新格式化为FAT32之前都不能在P6上运行。



PACKAGING & ACCESSORIES

The packaging for the P6 is not the glamourous affair of the HiBy R8 though not many DAPs can top that. This reminds me a little of the FiiO M15 unboxing experience with a simple black cardboard container covering a lovely rich grain wooden slider box with the LP log etched on top.

Inside, you get two layers of protective foam with a clean display of the P6 inserted on top and the accessories just below the top layer. You can lift each layer cleanly with a small nylon pull to the top so prevent you from damaging the casing.

包装和附件

P6的包装并不像HiBy R8那样富有魅力，尽管没有多少DAP能够超越它。这让我想起了飞傲M15的开箱体验，一个简单的黑色纸板包装覆盖着一个可爱的、纹理丰富的木质滑盖盒，上面刻有乐彼的品牌logo。

在里面，你可以看到两层保护性的泡沫，上面附着P6的简明展示，配件就在顶层下面。你可以用一个小的尼龙拉杆干净利落地提起每一层，这样可以防止你损坏主机外壳。



ACCESSORIES

The accessories headcount is not huge but you do get that all-important leather case (Musicteck bundle) which I highly advise you slip on to protect the player. You also receive a few screen protectors but sadly nothing pre-applied so you will have to spend a bit of time carefully applying them to the screen.

Aside from the protectors you also receive a soft velvet carry pouch, cleaning cloth for lint, and good quality short 1m USB-A to USB-C cable for charging, USB-DAC, and data transfer duties.

配件

配件的数量并不多，但你确实得到了最重要的皮套（Musicteck捆绑），我强烈建议你戴上它来保护播放器。你还会收到一些屏幕保护膜，但遗憾的是，没有预先贴好的，所以你必须花点时间仔细地把它们贴在屏幕上。

除了保护膜，你还会收到一个柔软的天鹅绒携带袋、清洁布，以及用于充电、USB-DAC和数据传输的优质1米USB-A转USB-C的短线。



CASE

The leather case is yellow, yeah yellow. I suspect some might have preferred black or tan but it is not that bad in real life actually. Our lighting system may be projected a stronger impact of that yellow as in real life it is a bit duller or less gaudy.

It holds its shape well, however, with a stronger cornering frame and a fairly tight finish. No aspect of the case makes it difficult to plug in big jacks or touches on the volume control in an obtrusive manner.

It also feels tight enough to worry about it slipping out during use. I do not know if over a very long time it will loosen but after a few months with me, it still grips the player just as good as day one.

皮套

皮套是黄色的，是的，黄色。我怀疑有些人可能更喜欢黑色或棕褐色，但实际上在现实生活中这颜色并不那么糟糕。我们的打光系统可能在照片里会投射出一种更强烈的黄色观感，实际在现实生活中，它有点暗或者说不那么艳丽。

然而，它很好地保持了整机的形状，有一个更强硬的转角框架和一个相当紧致的表面。皮套的任何一面都不会使它难以插入大的耳机插孔或以碍眼的方式触及音量控制。

同时，你也会感觉套得足够紧，以免让人担心机器在使用过程中滑出。我不知道在很长一段时间内它是否会松动，但在我用了几个月后，它仍然像第一天一样牢牢地“抓着”播放器。

（未完待续…）

乐彼客服1

《软件&音质篇》已更新：http://www.erji.net/forum.php?mod=viewthread&tid=2265741