- Disc 1-2
- ● Mozart: Symphony No. 29 in A major K 201 / 186a
- Philharmonia Orchestra
- Recording: December 19, 1963
- ● Beethoven: Symphony No. 8 in F major Op.93
- Philharmonia Orchestra
- Recording: October 14, 1963
- ● Mahler: Symphony No. 2 in C minor "Resurrection"
- Philharmonia Orchestra
- Recording: December 19, 1963
- Recording at the Royal Festival Hall in London. Mozart and Mahler are stereo, famous for FM broadcasting and others. It seems that Klemperer in the latter half of 1963 often conducted command with a comfortable level, and this tendency was noticeable also in the session recording etc. of the same period, but in this merit such characteristics are also felt in the goodness of the flow unique to the demonstration It has become a splendid finish. Mozart's 29th is 25 minutes, Mahler is 80 minutes, Beethoven is 26 minutes playing time.
- Disc 3
- ● Beethoven: Symphony No. 1 in C major Op.21
- Philharmonia Orchestra
- Recording: December 2, 1963
- ● Beethoven: Symphony No. 5 in C minor op. 67 "Fate"
- Philharmonia Orchestra
- Recording: May 31, 1960
- Symphony No. 1 is a recording at the Royal Festival Hall in London, and the performance time is about 27 minutes. Symphony No. 5 "Destiny" is a recording by Musik Feller Insard at the time of visiting Vienna. The performance time is about 35 minutes. Klemperer seemed to be in perfect condition and was leading the Beethoven 's continuous concert to a great success.
- Disc 4
- ● Beethoven: Symphony No. 9 mini op. 125 "Chorus"
- Agnes · Giebel (soprano)
- Crista · Ludwig (mezzo-soprano)
- Richard Lewis (tenor)
- Walter · berry (baritone)
- Philharmonia Orchestra & Choir
- Recording: November 27, 1961
- In the recording at the Royal Festival Hall in London, the performance time is about 68 minutes. Tempo is set faster than usual, and like "Fidelio" which was very successful in March of the same year, it is possible to enjoy rare performances that are huge and rich in propulsion while feeling a natural breathing is. It is interesting that the soloists of all four are singers who are also repertoire of Mahler. Even so, it is interesting that the ninth tenor of the existing Klemperer, of which up to 6 types are from singers known by the singing of "earth songs".
- Disc 5
- ● Beethoven: Symphony No. 8 in F major Op.93
- Philharmonia Orchestra
- Recording: June 4, 1960
- ● Beethoven: Symphony No. 6 in F major op.68 "Country"
- Philharmonia Orchestra
- Recording: June 2, 1960
- Disc 6
- ● Beethoven: Symphony No. 3 Eho Major op.55 "Hero"
- Philharmonia Orchestra
- Recording: May 29, 1960
- ● Beethoven: "Egmont" Overture op. 84
- Philharmonia Orchestra
- Recording: May 31, 1960
- ● Beethoven: "Coriolan" Overture op.62
- Philharmonia Orchestra
- Recording: June 4, 1960
- Disc 7
- ● Beethoven: Symphony No. 2 in D major op.36
- Philharmonia Orchestra
- Recording: May 29, 1960
- ● Beethoven: Symphony No. 4 Bloom major op. 60
- Philharmonia Orchestra
- Recording: May 31, 1960
- Disc 8
- ● Beethoven: Symphony No. 1 in C major Op.21
- Philharmonia Orchestra
- Recording: June 7, 1960
- ● Beethoven: Symphony No. 7 in A major op. 92
- Philharmonia Orchestra
- Recording: June 2, 1960
- ● Beethoven: "Creation of Prometheus" Overture op.43
- Philharmonia Orchestra
- Recording: June 2, 1960
- Disc 9
- ● Beethoven: Symphony No. 9 second minor op.125 "Chorus"
- Vilma Lip (soprano)
- Wolzler-Beze (Alto)
- Fritz-Wunderich (tenor)
- Franz Class (bus)
- Vienna Association of Association Choir
- Philharmonia Orchestra
- Recording: June 7, 1960
- Recording at Musik Feller Insard. For the Vienna art weekly appearance, Klemperer, who led the Philharmonia Orchestra to Philharmonia Orchestra and visited Vienna, seemed to be in perfect condition, leading Beethoven's continuous concert to a great success. On May 29th of the first day, he played "hero" who is good at it and No. 2 and others. It was a memorable day that Mahler no. 4 and "unfinished" was played by the Vienna Philharmonic Orchestra conducted by Bruno Walter during the day at the same musical association big hall on the same day, at the emotional Walter concert On the other hand, Klemperer's concert was a contrasting thing, such as 'Heroes' approaching with the scales that stands up and strength. Klemperer's success of Beethoven Zyklis at this time is said to have been brought to the end of severe practice, as can be seen in the well-known rehearsal images of the "Egmont" overture, and even though its fine elements are thoroughly The basic attitude of emphasizing the form that accurately reproduces it is well appeared. Therefore, although demonstration with increased degrees of freedom will not result in collapse of the form, a rare Beethoven statue is built that shows robust and rich information perfectly while absorbing momentum of the sound unique to the demonstration I will.
- Disc 10
- ● Beethoven: "Dedication Expression" Overture op.124
- Philharmonia Orchestra
- Recording: August 24, 1958
- ● Beethoven: Symphony No. 5 in C minor op. 67 "Fate"
- Philharmonia Orchestra
- Recording: August 24, 1958
- ● Haydn: Symphony No. 101 in D major "Watch"
- Philharmonia Orchestra
- Recording: August 24, 1958
- Recording in Usher Hall of Edinburgh. "Fate" in Scotland's Edinburgh Music Festival is a fast time of about 33 minutes with iteration of both ends movement.
- "Dedication Expression" Overture Over 11 minutes,
- Haydn's "Watch" is a playing time of 27 minutes, and the atmosphere with a high tension that Klemperer can understand that it is the performance just before the "sleeping cigarette whole body large burns heavy incidents" happens is attractive.
- Disc 11
- ● Beethoven: "Dedication Expression" Overture op.124
- Philharmonia Orchestra
- Recording: May 29, 1960
- ● Beethoven: "Egmont" Overture op. 84
- Philharmonia Orchestra
- Recording: November 3, 1957
- ● Beethoven: Symphony No. 6 in F major op.68 "Country"
- Philharmonia Orchestra
- Recording: October 7, 1958
- "Dedication ceremony" Overture is recording at Musik Feller In Saar and the playing time is 11 minutes.
- "Egmont" overture is a recording at the Royal Festival Hall in London, and the performance time is 9 minutes 17 seconds.
- "Rural" is a comfortable tempo of 42 minutes with the first and third movement iterations in recording at Usher Hall in Edinburgh. The atmosphere with a high tension that leads to "fate" of Disc 10 is attractive.
- Disc 12
- ● Beethoven: Symphony No. 2 in D major op.36
- Philharmonia Orchestra
- Recording: October 24, 1957
- ● Beethoven: Symphony No. 4 Bloom major op. 60
- Philharmonia Orchestra
- Recording: November 8, 1957
- Recording at the Royal Festival Hall in London. No. 2 is recorded about three weeks after the EMI session recording, but the performance time is the tempo of the session is 37 minutes 31 seconds, the live time is 34 minutes 21 seconds fast.
- & nnbsp; No. 4 is about two weeks later recording, the performance time is 35 minutes 40 seconds for the session, 34 minutes 17 seconds for the performance is a slightly faster tempo.
- Disc 13
- ● Beethoven: Symphony No. 5 in C minor op. 67 "Fate"
- Philharmonia Orchestra
- Recording: October 24, 1957
- ● Beethoven: Symphony No. 7 in A major op. 92
- Philharmonia Orchestra
- Recording: November 3, 1957
- Recording at the Royal Festival Hall in London. The fifth is the recording of the first session recording of EMI two years later, but the performance time is the tempo where the session is 35 minutes 2 seconds, the live is slightly faster, 34 minutes 9 seconds.
- The seventh number is recorded two years after EMI's first session recording, but the playing time is about 36 minutes 56 seconds for the session and 37 minutes 4 seconds for the live performance.
- Disc 14
- ● Beethoven: "Egmont" Overture op. 84
- Philadelphia Orchestra
- Recording: October 27, 1962
- ● Beethoven: Symphony No. 3 Eho Major op.55 "Hero"
- Philadelphia Orchestra
- Recording: October 20, 1962
- Disc 15
- ● Bach: Brandenburg Concerto No. 1 in F major BWV. 1046
- Philadelphia Orchestra
- Recording: November 3, 1962
- ● Beethoven: Symphony No. 6 in F major op.68 "Country"
- Philadelphia Orchestra
- Recording: October 20, 1962
- Disc 16
- ● Mozart: Symphony No. 41 in C major, K.551 "Jupiter"
- Philadelphia Orchestra
- Recording: November 3, 1962
- ● Brahms: Symphony No. 3 in F major op. 90
- Philadelphia Orchestra
- Recording: October 27, 1962
- Disc 17
- ● Schumann: Symphony No. 4 mini op.120
- Philadelphia Orchestra
- Recording: October 27, 1962
- ● Beethoven: Symphony No. 7 in A major op. 92
- Philadelphia Orchestra
- Recording: November 3, 1962
- Live recording when Klemperer guests guests at the Philadelphia Orchestra of the Ormandy era. There is a problem in sound quality, but it is a precious record. It is Philadelphia Orchestra which was also the stronghold of "Modern Arrangement" following Sukhovsky, Omandy, but at this time the Klemperer stayed there for two weeks or so, as the orchestra is quite unusual "Orthodox arrangement (Violin winged type) "and is playing, and it is good news that you can hear it in stereo in Egmont, Hero, Rural field, Bra 3.
- Disc 18
- ● Bruckner: Symphony No. 6 in A major, WAB 106 (Hearth version)
- Concertgebou Orchestra
- Recording: June 22, 1961
- ● Klemperer: Symphony No. 1
- Concertgebou Orchestra
- Recording: June 22, 1961
- Recording at the Concertgebouw Great Hall in Amsterdam. Bruckner No. 6 will be recorded three years before the EMI session recording, but the tempo distribution is very different. In total it is different from the session 54 minutes 55 seconds, the live 50 minutes 41 seconds is different, but for the first movement the consulting bowboard is late by 10 seconds, treatment of rhythm motive which started rashing at the beginning, continued Hugeness in the first subject, expressing while expressing numerous constitutional motives is quite like Klemperer's point, its amount of information, the power to roughness is wonderful. On the other hand, the 2nd movement is a time allocation that live is 2 minutes faster, 49 seconds in Scherzo and 1 minute 41 seconds in the finale, and it has become a style that is pretty sharp.
- My own symphonies first completed in 1960 is a compact work with 2 movements in 18 minutes. The late Romantic atmosphere is in the keynote, and it feels a collage-like fun from Hindemith, Shostakovichi, Stravinsky-like modern elements to reminiscent of the accompaniment of "Otello", and the eerie La Marseillaise Familiar music and attractive beauty of the tail. Since Klemperer did not perform session recording of this work, the existence of this recording which commanded the Concertgebouw Orchestra is precious. The sound quality is good while it is monaural.
- Disc 19
- ● Mendelssohn: Overture "Fingal's Cave" op.26
- Concertgebou Orchestra
- Recording: February 21, 1957
- ● Schubert: Symphony No. 4 in C minor D417 "Tragic"
- Concertgebou Orchestra
- Recording: February 21, 1957
- ● Stravinsky: Symphony of 3 Movement op.26
- Concertgebou Orchestra
- Recording: February 21, 1957
- ● Wagner: "My Staginger in Nuremberg" The 1st Prelude
- Concertgebou Orchestra
- Recording: February 21, 1957
- Recording at the Concertgebouw Great Hall in Amsterdam. Partial sound quality is difficult. Klemperer's Schubert Symphony No. 4 has a VOX recording of 1950 only, so conscient heavy recordings are precious. Although the playing time is similar, in the performance with the Concertgebouw, the relief is bigger and the expression becomes more dense. By the way, the first movement is VOX 6 minutes 47 seconds and Concertge Hebou 9 minutes 10 seconds because the VOX does not perform the presentation part iteration, it is 7 minutes and 2 seconds when calculating the consultation burou, it is similar feeling.
- The symphony of Stravinsky's 3 movement is 23 minutes 45 seconds for the consultation of the 1962 EMI session recording 24 minutes 27 seconds. It is a powerful performance by the expressive expression of the first movement unique to the demonstration and the size of the timpani's sound.
- "Fingal's Cave" is about 9 minutes 34 seconds faster than the 1960 EMI session recording 10 minutes 14 seconds, "My Stagingger" is 10 minutes 6 seconds and 51 seconds for the 1960 EMI session recording 10 minutes 57 seconds It is faster. Both are spacious and quiet session recording, the difference is a hot live.
- Disc 20
- ● Bruckner: Symphony No. 5 Birthstone major WAB 105
- Concertgebou Orchestra
- Recording: February 16, 1957
- Recording at the Concertgebouw Great Hall in Amsterdam. Sound quality is difficult. Klemperer's Bruckner Symphony No. 5 was a 79 minutes and 27 seconds EMM session recording in 1967, whereas this consulting heavy recording of 10 years difference was 67 minutes 37 seconds and the playing time was different for about 12 minutes It is characterized. Unfortunately the sound is not clear, but the 4th movement coda etc. is amazing.
- Disc 21
- ● Beethoven: Symphony No. 7 in A major op. 92
- Concertgebou Orchestra
- Recording: May 13, 1956
- ● Brahms: "Variations on the Theme of Haydn" op.56a
- Concertgebou Orchestra
- Recording: February 7, 1957
- ● R. Strauss: Symphonic poem "Tyr Eulen Spiegel's Funny Prank" op.28
- Concertgebou Orchestra
- Recording: February 7, 1957
- Recording at the Concertgebouw Great Hall in Amsterdam. Partial sound quality is difficult. Beethoven No. 7 who is good at Klemperer. Recording with Concertgebouw is recorded the following year of EMI's first session recording, the performance time is 36 minutes 56 seconds for the session and 37 minutes 44 seconds for the show.
- "Variations on the subject of Haydn" is 17 minutes 28 seconds late by 34 seconds compared to the 1954 EMI session recording 16 minutes 54 seconds.
- "Til Eulenspigel's pleasant prank" It is faster about 14 minutes and 13 seconds, about 48 seconds against the 1960 EMI session recording 15 minutes 1 second, and it also feels good licking to be demonstrated.
- Disc 22
- ● Beethoven: Symphony No. 2 in D major op.36
- Concertgebou Orchestra
- Recording: May 2, 1956
- ● Beethoven: "Leonore" Overture No. 3 op. 72b
- Concertgebou Orchestra
- Recording: May 2, 1956
- ● Beethoven: ballet music "Creation of Prometheus" op. 43 - Overture, Adagio, Finale
- Concertgebou Orchestra
- Recording: May 2, 1956
- Recording at the Concertgebouw Great Hall in Amsterdam. Partial sound quality is difficult. Beethoven Symphony No. 2 which is good at Klemperer. Recording with Concertgebouw is recorded the following year of EMI session recording, the performance time is 37 minutes 31 seconds for the session and 35 minutes and 59 seconds for the performance, which is one and a half minutes faster.
- "Leonore" overture number 3 is almost the same as 13 minutes 33 seconds against 1954 EMI session recording 13 minutes and 32 seconds.
- The excerpt from "Prometheus' Creation" was also recorded in EMI in 1969, but it is faster for 3 minutes, 20 minutes 34 seconds versus 23 minutes and 35 seconds. Daring overture, let unique lyricism is heard in interesting Adagio, and "hero" good diversion has been melody seems to have demonstrated the impressive finale glue to the symphony performance.
- Disc 23
- ● Beethoven: Symphony No. 4 Bloom major op. 60
- Concertgebou Orchestra
- Recording: May 9, 1956
- ● Beethoven: Symphony No. 5 in C minor op. 67 "Fate"
- Concertgebou Orchestra
- Recording: May 9, 1956
- Recording at the Concertgebouw Great Hall in Amsterdam. Partial sound quality is difficult. Recording with the Symphony No. 4 Concertgebouw is the recording of the previous year of EMI session recording, the performance time is 35 minutes 40 seconds for the session, 34 minutes 42 seconds for the live performance, one and a half minutes faster.
- Recording with the Concertgebouw of Symphony No. 5 "Fate" was recorded two years after EMI's first session recording, the performance time is 35 minutes 2 seconds for the session, 35 minutes 46 seconds for the live performance, slightly later It is getting.
- Disc 24
- ● Bach: Orchestral Suite 2nd Minor BWV. 1067
- Concertgebou Orchestra
- Recording: February 7, 1957
- ● Beethoven: Symphony No. 6 in F major op.68 "Country"
- Concertgebou Orchestra
- Recording: May 13, 1956
- Recording with Concertgebouw Orchestra Suite 2 is recorded two years after EMI session recording, the performance time is 22 minutes 33 seconds for the session, 22 minutes 54 seconds for the live performance, 21 seconds late .
- Symphony No. 6 Record of the Concertgebouw of "rural" is, in the last year of the recording of the EMI of the session recording, playing time for the session is 45 minutes 58 seconds, live has become faster with 44 minutes 28 seconds.
- Disc 25
- ● Mozart: Symphony No. 29 in A major K 201 / 186a
- Concertgebou Orchestra
- Recording: July 12, 1956
- ● Beethoven: Symphony No. 7 in A major op. 92
- Concertgebou Orchestra
- Recording: April 26, 1951
- Recording at the Concertgebouw Great Hall in Amsterdam. Sound quality is difficult. Recording with the Symphony No. 29 Concertgebouw is a recording of EMI's session recording two years later, the performance time is about 24 minutes 43 seconds for the session and about 24 minutes 08 seconds and about 35 seconds for the live performance .
- Beethoven No. 7 is 35 minutes 31 seconds and it is faster than 36 minutes 56 seconds of 1955 EMI session recording.
- Disc 26
- ● Beethoven: Symphony No. 9 mini op. 125 "Chorus"
- Gre · Browensteen (soprano)
- Annie Hermes (Alto)
- Ernst Hefliger (tenor)
- Hans Willblink (baritone)
- Amsterdam · Tonkunst Choir
- Concertgebou Orchestra
- Recording: May 17, 1956
- Recording at the Concertgebouw Great Hall in Amsterdam. Although Klemperer's 9th has been left numerous, the Concertgebouwar recording is a masterpiece known to maniacs with very well-balanced performance content and good monophonic sound quality. By the way, the EMI session recording in 1957 was 72 minutes 10 seconds, but the consultant bow has 67 minutes 21 seconds, which is close to 5 minutes.
- Disc 27
- ● Beethoven: Symphony No. 8 in F major Op.93
- Concertgebou Orchestra
- Recording: May 17, 1956
- ● Janacek: "Sinfonietta"
- Concertgebou Orchestra
- Recording: January 11, 1951
- Recording at the Concertgebouw Great Hall in Amsterdam. Symphony No. 8 is the recording of the previous year of the EMI session recording, and it is a good performance of about 26 minutes 51 seconds, one minute faster than the session 27 minutes 51 seconds.
- Sinfonietta of Janacek is is the work which Klemperer is not in session recording, Klemperer after the premiere shortly after time tells the fact that you want to play in a letter to Janacek, Germany premiere, the United States premiere, because it was carried out the Soviet premiere, to work It seems that attention was strong. Although live recording has been two bereaved, the sound of the state and the orchestra of the condition, but there is a drastic expressive of fun Cologne Radio Symphony recording listen Gotae, etc., know the change of the Concertgebouw recording also of Klemperer interpretation It is priceless for it.
- Disc 28
- ● Hindemit: Suite "Noble illusion"
- Concertgebou Orchestra
- Recording: July 7, 1955
- ● Schönberg: "Jidai" op.4
- Concertgebou Orchestra
- Recording: July 7, 1955
- ● Faria: Symphonic Impression "Night in the Garden of Spain"
- Willem Andriessen (piano)
- Concertgebou Orchestra
- Recording: January 11, 1951
- Recording at the Concertgebouw Great Hall in Amsterdam. "Noble fantasy" is the recording of the following year of the EMI session recording, which is slightly faster, 20 minutes 2 seconds compared to the session 20 minutes 35 seconds.
- "Kiyuya" is a violent and rich performance famous among fans. Klemperer was unable to perform session recording of Schönberg who was familiar with Kempeper but there is a splendid expression of the young Schönberg's passionate feeling here.
- "Spanish garden night" is also the only recording. Music, such as the symphonic poem of modern playing an active part of the piano solo, but the commander of serious injury before the Klemperer strong immediate physical trends, can be thought of as a funny alien in the performance of this piece of atmosphere approach subject.
- Disc 29
- ● Bach: Orchestral Suite 2nd Minor BWV. 1067
- Friends of Music
- Recording: December 14, 1942
- ● Mendelssohn: accompanying music accompanied by play "Midsummer Night's Dream" op.61 (excerpt) (German singing)
- Concertgebou Orchestra
- Recording: November 3, 1955
- ● Gluck: Opera "Orfeo and Euridice" ~ "Chaconne"
- Concertgebou Orchestra
- Recording: June 22, 1961
- Recording at the Concertgebouw Great Hall in Amsterdam. Sound quality is difficult.
- "Midsummer Night's Dream" (composed of 10 songs) is a tempo of 43 minutes 9 seconds faster than the 1960 EMI session recording 47 minutes 53 seconds. Scherzo etc. It is quite different. It is surprising that the finale. The introduction section by Klemperer is played for about 49 seconds at the beginning. Since we do not do this introduction part performance using material such as "marriage marching" and overture and session recording, the freedom of Klemperer in demonstration is remembered. By the way, Klemperer had made a change to replace the tail at Mendelssohn "Scotland" in Bayern in the following year, but is that the original ancestor? Although this is "addition", though.
- Gluck's "Chaconne" is the only recording of Klemperer. Prior to the war the repertoire unique to Klemperer who was ambitiously working on Gulc opera performances.
- Disc 30
- ● Mahler: Symphony No. 4 in G major
- Maria · Stader (soprano)
- Concertgebou Orchestra
- Recording: November 10, 1955
- ● Mozart: Serenade No. 13 "Eine Kleine Nacht Musique"
- Concertgebou Orchestra
- Recording: November 10, 1955
- Recording at the Concertgebouw Great Hall in Amsterdam. Mahler's symphony No. 4 is 52 minutes and 47 seconds in total and 54 minutes and 53 seconds of EMI session recording, which is about two minutes faster, but the third movement is opposite 19 minutes and 5 seconds and the session is 18 minutes 9 It is noteworthy that it is delayed by about 1 minute and seconds.
- "Aene Kleene Nacht Musique" is a tempo that is fast, 16 minutes and 8 seconds, compared to the 4th month different 1956 EMI session recording 17 minutes and 48 seconds.
- Disc 31
- ● Beethoven: Symphony No. 3 Eho Major op.55 "Hero"
- Concertgebou Orchestra
- Recording: July 7, 1955
- ● Mozart: Symphony No. 25 in G minor, K.183
- Concertgebou Orchestra
- Recording: January 18, 1951
- ● Mozart: "Funerary Music for Freemasonry" K.477
- Concertgebou Orchestra
- Recording: July 12, 1951
- Recording at the Concertgebouw Great Hall in Amsterdam. "Hero" of 1955 recording is much faster than 49 minutes 7 seconds, 52 minutes 27 seconds of EMI session recording after 5 months.
- The Mozart Symphony No. 25 is surprised at a furious speed of 16 minutes 23 seconds against the 1956 EMI session recording 19 minutes 15 seconds. Especially the first movement is intense.
- Mozart "Funerary Music for Freemason" is 4 minutes 59 seconds, compared to the 1964 EMI session recording 5 minutes 26 seconds.
- Disc 32
- ● Beethoven: Symphony No. 6 in F major op.68 "Country"
- Concertgebou Orchestra
- Recording: July 7, 1955
- ● Beethoven: Symphony No. 8 in F major Op.93
- Concertgebou Orchestra
- Recording: May 1, 1949
- Recording at the Concertgebouw Great Hall in Amsterdam. "Garden" is 42 minutes 58 seconds and it is faster than the 45 minutes 58 seconds of the 1957 EMI session recording.
- Beethoven: Symphony No. 8 is 23 minutes and 58 seconds and is significantly faster than the 1957 EMI session recording 27 minutes 51 seconds. It is a very powerful performance.
- Disc 33
- ● Mahler: Symphony No. 2 in C minor "Resurrection"
- Kathleen Ferrier (contralto)
- Joe Vincent (soprano)
- Concertgebouw Orchestra & Choir
- Recording: July 12, 1951
- Recording at the Concertgebouw Great Hall in Amsterdam. Total 71 minutes 26 seconds and the fastest performance in this work's CD. Klemperer who has left the post of Budapest National Opera and has finally gotten into full swing back in Western Europe is full of fuss. Including Felier's singing is a great content.
- Disc 34
- ● Mendelssohn: Overture "Fingal's Cave" op.26
- Concertgebou Orchestra
- Recording: December 4, 1947
- ● Bruckner: Symphony No. 4 Eho Major WAB.104 "Romantic"
- Concertgebou Orchestra
- Recording: December 4, 1947
- Recording at the Concertgebouw Great Hall in Amsterdam. "Fingal's Cave" was recorded in 1947 and the playing time was 8 minutes 42 seconds, which is considerably faster than the 10 minutes and 13 seconds of the 1960 EMI session recording. At that time, Klemperer became the music director of the Budapest Opera National Opera, it was a serious injury in 1954 and before the burn in 1958, which is a quick tempo.
- Total 53 minutes 51 seconds and 1951 VOX session recording is not about 51 minutes 20 seconds but quite fast playing. Haas version.
- Disc 35
- ● Bruckner: Symphony No. 7 Eho Major WAB.107
- BBC Symphony Orchestra
- Recording: December 2, 1955
- Disc 36
- ● Beethoven: Symphony No. 9 second minor op.125 "Chorus"
- Maria · Stader (soprano)
- Grace · Hoffman (mezzo-soprano)
- Waldemar Kumment (tenor)
- Hans · Hotter (baritone)
- Cologne Broadcasting Chorus
- Cologne Radio Symphony Orchestra
- Recording: January 6, 1958
- Recording in Cologne. From the difference between orchestra and chorus, interpretation of session recording with Philharmonia just before, interpreted the same as live recording, the point is that this one is filled with more solid strength. Two male voice soloists are in common with Philharmonia, and they are approaching with a divine powerfulness like Wotan like singing Hotter. The chorus part is powerfully confounding again, it is the impression that the style unique to Klemperer who emphasized the existence feeling rather than the mystique is more thorough.
|
粤公网安备 44030602000598号 耳机大家坛、www.erji.net、网站LOGO图形均为注册商标 
IP卡
狗仔卡
发表于 2025-6-23 09:45
收藏
分享
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
显身卡
楼主