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听音笔记……
- 著名钢琴家奇科里尼全集 1950-1991 (56CD)
Aldo Ciccolini: The Emi Recording
- 奇科里尼 Ciccolini,以主要演奏近现代钢琴作品而闻名于世,比如萨蒂,德彪西,穆索尔斯基。录制的萨蒂钢琴作品全集,获得极高的赞誉。奇科里尼 Ciccolini的演奏风格,是在比较沉静和精确之上有深度与活力。有一定李斯特演奏体系传承的味道。
阿尔多·奇科里尼 (1925-2015) 意大利裔法籍钢琴家,出生于意大利那不勒斯。他的录音专辑先后荣获法国唱片学术奖、《留声机》杂志最高奖“年度唱片奖”(1976)。1949年,24岁的奇科里尼在巴黎玛格丽特·隆国际钢琴比赛中拿下首奖,落脚巴黎,国际巡演也接踵而至。1969年,奇科里尼加入法国籍,开始了巴黎音乐学院18年的任教生涯。
Aldo Ciccolini: The Emi Recording 1950-1991 (56CD)(APE) 14.51 GB
098067b3dc05a50df79282d62655de6cb7b4f885
Product description
The Complete EMI Recordings 1950-1991 (56 CDs)
This 56 CD collection contains numerous items which have become available for the first time (such as Mozart sonatas and Bach Inventions previously only released in Japan, or his first Debussy disc, dating from 1969), or which have never before been released, such as the magnificent 'Pictures at an Exhibition' recorded in 1976. With particular care taken over the transfers, including remastering of all the late recordings, this box will convince any remaining skeptics that Aldo Ciccolini, though born in Naples, holds a place at the very summit of French pianism. Includes works by Albeniz, Arensky, Bach, Beethoven, Borodin, Brahms, Chabrier, Chopin, Couperin, Falla, Faure, Granados, Grieg, Hahn, D'Indy, Kabalevsky, Liszt, Mendelssohn, Mozart, Mompou, Mussorgsky, Poulenc, Prokofiev, Rachmaninov, Rameau, Ravel, Rossini, Saint-Saens, Scarlatti, Schubert, Schumann, Tchaikovsky.
这 56 张 CD 合集包含许多首次发行(例如之前仅在日本发行的莫扎特奏鸣曲和巴赫发现,或他的第一张德彪西唱片,可追溯到 1969 年),或以前从未发行过的物品,例如 1976 年录制的宏伟的“图画展览会”。在传输过程中特别小心,包括对所有后期录音的重新制作。
这个盒子将说服任何剩余的怀疑者。奇科里尼Aldo Ciccolini 虽然出生在那不勒斯,但他却是法国钢琴演奏的巅峰。包括阿尔贝尼茨、阿连斯基、巴赫、贝多芬、鲍罗丁、勃拉姆斯、夏布里埃、肖邦、库柏林、法拉、福雷、格拉纳多斯、格里格、哈恩、德印第、卡巴列夫斯基、李斯特、门德尔松、莫扎特、蒙波、穆索尔斯基、普朗克、普罗科菲的作品、拉赫玛尼诺夫、拉莫、拉威尔、罗西尼、圣桑、斯卡拉蒂、舒伯特、舒曼、柴可夫斯基。
Beyond Aldo Ciccolini's two best selling complete Satie recordings and other proofs of this natural affinity with the French repertoire (which put him very much in tune with the artistic policy of French EMI under the leadership of Rene Challan, Eric Macleod and Greco Casadesus), or his unflashy Liszt- the ideal alternative to someone like Georges Cziffra- the public knows surprisingly little of the recordings that Ciccolini made for EMI between 1950 and 1991.
In 1950, as victor of the 1949 Marguerite Long Competition, the 25-year-old Ciccolini recorded his first 78; it was devoted to Scarlatti, a composer to whom he later returned.
Following soon afterwards was Tchaikovsky's Piano Concerto No.1, conducted by Andre Cluytens- the pianist asked for the tapes of the second concerto to be destroyed, since he did not like the piece - and then produced an anthology of Mozart sonatas which has a finesse, balance and sonic splendor still typical of Ciccolini's concert performances today.
除了 Aldo Ciccolini 的两部最畅销的完整的萨蒂Satie作品录音,以及这种与法国曲目的天然亲和力的其他证明(这使他非常符合EMI 在 Rene Challan、Eric Macleod 和 Greco Casadesus 为标志的法国艺术政策),或是朴实无华的李斯特——乔治·齐夫拉这样的演奏家的理想替代。
令人惊讶的是,公众对奇科里尼在 1950年至 1991年间为 EMI制作的唱片知之甚少。
1950年,25岁的奇科里尼 Ciccolini 作为 1949年玛格丽特长距离比赛的获胜者,创下了他的第一个 78;它是献给斯卡拉蒂的,他是后来回归的作曲家。
紧随其后的是柴可夫斯基的第一钢琴协奏曲,由安德烈·克鲁滕斯指挥——钢琴家要求销毁第二协奏曲的录音带,因为他不喜欢这首曲子——然后制作了一部具有技巧的莫扎特奏鸣曲选集、平衡和美妙的声音,今天仍然是奇科里尼 Ciccolini 音乐会表演的典型特征。
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