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32楼
发表于 2013-2-2 14:19
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只看该作者
来自 加拿大温哥华
除了12年那个中文的评论,感觉还好吧。比如下面这段10年对李云迪演奏的评论。翻译是我自己加的。
Still, Thursday’s recital offered more questions than answers. That Yundi retains the sovereign technique with which he first commanded attention was clear in note-perfect flurries and thunderous climaxes. But the intelligent engagement that initially set his playing apart from Mr. Lang’s gaudy efflorescence was in short supply during an opening set of five nocturnes; elastic phrasing was often thwarted by murky pedaling.
尽管如此,周四的演奏带来的问题多过答案。云迪保持着其最初引入注目的高超技巧,这在完美的疾奏音符和雷鸣般的高潮中清楚地表现出来。然而在开场五个夜曲中,他原本有别于朗先生俗丽的热情(efflorescence疑为effervescence的笔误?)的有头脑的演绎却不够;延展性的乐句时常被含混的踏板所影响。 |
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